Learn to PLay Piano By Ear - Left Hand Techniques

           

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The tenth (10th) chord is an excellent technique you can use on your left hand. The 10th chord is basically following this:

Every major chord is made up of the numbers 1-3-5 of the scale played simultaneously. Basically, the 10th chord is made up of these three numbers inverted and played either simultaneously or in a "roll" form.

1-5-3 (the 3 actually becomes the 10)

For example:

C D E F G A B C D E F G A B C
1 2 3 4 5 6 7 1 2 3 4 5 6 7 1
1 2 3 4 7 6 7 8 9 10 11 12 13 14 15

That means that on the left hand you would play C-G-E. Now this may be rather hard for some of you. In fact, when I started playing the 10th chord I have to "roll" it until my fingers stretched out enough to play it as a chord. (I'll focus on stretching exercises later.)

HOW DO I USE THE 10th CHORD ON SLOW TO MODERATE SONGS?

The most common way of using the 10th chord is to use it on the left hand on most "down" beats. It creates a wonderful full sound. Another common way to use the 10th chord is in a roll. This would mean the pianist would create the rhythm to the song playing the following numbers:

Moving up the keyboard: 1-5-3-5-1 (repeat)

So, if you were in the key of C and you were in the C chord change, while your right hand is playing the melody to the song, the left hand would follow the pattern above and would look like this:

Moving up the keyboard: C-G-E-G-C

When you get to the F chord change:

Moving up the keyboard: F-C-A-C-F

Wow! What a difference in the full sound it gives! Try the 10th run!

Matthew Stephens has been playing the piano for over 27 years and giving piano lessons by ear for 17. Learn more about him at http://www.thepianobyear.com

Being Piano Man - Tips for Teaching Yourself to Play Piano Easily

           

         >>  Dont Even Think Of Trying Other Prodicts untill You Read This <<

 

The piano is an exquisite musical instrument that may be a bit intimidating to learn but is worth every sweat, time and money you'll spend. If you want to teach yourself to play piano easily and fast, start now. The earlier you begin, the better you'll be and the earlier you'll be able to play a favorite piece. Here's how you can start:

Decide on your piano playing.

If you want to teach yourself to play piano easily, you need to decide what kind of piano player you want to be. If you want to be a concert pianist playing Mozart or Tchaikovsky, you will have to learn how to read notes and somewhere down the line, probably take formal lessons, if only for the technique. But if you only want to learn the piano so you can accompany a singer or compose your own song, you can start with chords, which is arguably the easier way to start playing.

There are also different styles of piano playing you might want to concentrate on ? classical, jazz, blues, new age, etc. You can learn one or several of these styles in the future once you're familiar with the instrument itself.

Have access to a piano.

To teach yourself to play piano easily you need access to a piano. A piano is a bit expensive, but you don?t have to buy one to be able to teach yourself to play piano easily. There are many sources you can tap for free ? local clubs, schools, churches, even friends and neighbors who might be willing to let you use their piano.

If you're a little shy and want to practice at home, get a portable electronic keyboard to learn to play piano easily. There are some very inexpensive ones that work as well as a Korg or a Roland. These keyboards even allow you to plug a headphone so no one else hears your playing. Just buy one with full-sized keys because the really cheap ones can have smaller-sized keys. If your fingers get used to smaller keys, you might have some trouble adjusting if you begin playing a full-sized piano in the future.

Get your lesson.

A piano lesson is never far away. There are numerous books, CDs and online lessons you can tap to help you to teach yourself to play piano easily. There are some videos and audio instructional sources you can use.

You can get free or paid lessons easily and can even access some of the most popular music to learn. Because we all learn differently, it's important that you find the lesson that you feel most comfortable with to teach yourself to play piano easily.

Have a back up.

There are times when you might get stumped on a lesson simply because you don?t get it or are not using the right technique. If this happens, find a different resource you can use for reference to teach yourself to play piano easily such as a different website, book or video or just simply ask someone if you're playing the piano correctly.

Practice.

Nobody learned to play the piano practicing only when they felt like it. Even the virtuosos played the piano as often as they can. Playing this instrument requires teaching your hand and mind to remember motions and learn to associate notes with the black and white keys on the piano. Practice for at least half an hour everyday or about 4 to 5 days a week is one way to teach yourself to play piano easily.

Learning to play the piano doesn?t mean you have to be born with talent nor do you have to be as young as your niece or grandchild. Anyone who has normal mental and physical abilities can teach himself to learn to play piano easily and succeed. Piano playing is as much a learned skill as it is a talent. If you can teach yourself the skill, you're halfway there.

Do you want to discover the astonishing, step-by-step secrets of how to play the piano with the rhythm, timing and magic of a professional? You're going to save time, money, and aggravation. You'll learn to avoid the mistakes and disastrous situations that you've been vulnerable to. Teach yourself to play piano easily visit Rocket Piano -The Ultimate Piano Learning Kit at Learn To Play Music Instruments

Gerry Restrivera writes informative articles on various subjects including Being Piano Man: Tips for Teaching Yourself to Play Piano Easily. You are allowed to publish this article in its entirety provided that author?s name, bio and website links must remain intact and included with every reproduction.

Play Piano Like a Pro: Even If You've Never Taken a Lesson in Your Life!

           

         >>  Dont Even Think Of Trying Other Prodicts untill You Read This <<

 

The first thing most students think they have to learn when taking piano lessons is note reading. But not only is note reading unnecessary...it's a hindrance when you really want to play piano like a pro. Why? Because pros use chords. And chords are much, much easier to learn than reading sheet music.

While chords will help you play like a pro fast, it all depends on the kind of chords you play. For example, most fledgling piano students think they will begin by playing triads. And for most piano teachers, this is the chord structure taught at the beginning. While there is nothing at all wrong with triads (all western music is built on this) it just won't give you a modern sound.

A chord structure I have my beginning students learn first, the open position piano chord, uses both hands right away to create a modern sound!

The benefit of using both hands right away is that you can vary the tones between hands to create a rich, beautiful sound that can NEVER be accomplished with the simple triad. Why piano teachers have their students learn triads first, I'll never know. But when you learn this chord position first, it allows you to create a open vented sound that is perfect for today's contemporary styles. Jazz, New Age, etc.. These styles can be created easily using the open position piano chord.

The way to play these chords is relatively easy. It may take a few minutes for your hands to get used to because this chord structure really stretches your hands. Here's how it works. The left hand gets the root note, the fifth, and the seventh. The right hand gets to play the third, seventh, and third again. So, if we were to play a C Major 7 chord, it would be spelled like this: LH - c, g, b RH - e, b, e. This looks a lot more complicated than it actually is and when you see it laid out for you on a keyboard diagram, you'll immediately see how easy it actually is to play!

To play the piano like a pro, don't start with triads; try the open position piano chord. You won't be sorry!

Edward Weiss is a pianist/composer and webmaster of Quiescence Music's online piano lessons. He has been helping students learn how to play piano in the New Age style for over 14 years and works with students in private, in groups, and now over the internet. Stop by now at http://www.quiescencemusic.com/piano_lessons.html for a FREE piano lesson!

Play Piano - Preparing to Practice

           

         >>  Dont Even Think Of Trying Other Prodicts untill You Read This <<

 

When the practicing "blahs" strike, you just need an attitude adjustment. You don't have to sweat blood to practice well. You don't even have to think of it as work, or duty, or even something that you ought to do.

Stop a minute and think about it. You like music, and you want to play some special piece that really means something to you. You want it to sound through you - right through your fingertips.

Okay? Well, you practice it to fulfill that desire, not to frustrate it.

Pause here and ask yourself some questions:

What if you could look at a piece of music for the first time, and play it correctly straight off, just as fine as you please?

How would you feel about practicing then?

Or, what if you were practicing for the Olympic swim meet next year, and felt deep down that you had a chance? How would you feel then about the training? Would you plunge into it each morning?

What if you were interrupted at a good point in yesterday's practicing? What if you had just about broken through a tough spot when you had to stop? Would you want to get back to it today as soon as possible?

You answer those questions, honestly, for yourself. There are ways to say "YES!" every day.

But, first, you've got to stop blaming yourself. You don't have to be perfect every time. You don't have to be the best player, today. And you don't have to listen to what other people say about your playing - people who are only half listening, and don't care the way you do.

Put all that out of your mind. What matters is your desire to play as well as possible.

Just start with playing - one note after another, and keep going. As the Chinese say, "A journey of a thousand miles begins with the first, step." And, if the very first step leads to the first slip, be glad for it. You can't, repeat, cannot learn without mistakes!

Now, start to think more personally about your instrument.

The piano, like the guitar, is a "touchy" instrument. Touch it, and you both produce and color its tones, like a potter molding clay. Think of the keys, all gleaming white, as the "skin" of the piano; you can either please them or hurt them. Stroke them, and the sound will come out mellow and purring. Poke them, and the sound will either "bark" sharply or woodenly "thud."

Stop thinking of yourself as playing "on" or "at" the piano. Rather, think of the instrument as an extension of your own body. When an artificial leg is fitted to an amputee, he is then taught to walk with it. Gradually, it feels more natural - more like his own leg walking. The French call the keys "les touches," or "touch-points" - as if the keys, not you, were doing the feeling.

Every musician wants to personalize this instrument. Take a look at the vocalist who hugs his guitar, or without a guitar, woos his microphone, or, without a microphone, simply woos the audience?

Every musician seeks to make his instrument an extension of his own body, the tool he or she needs to put across the strong feelings he as for the music.

Nadia Boulanger, one of the greatest teachers, put it best: "Don't speak to me of talent; speak to me of desire."

Go to the piano or keyboard not to reproduce a piece, but to experiment with your best way to bring out what is there. There is no one right way to play a piece - no matter how loudly some people protest that there is.

Artists in fact, vary greatly, and audiences return again and again to hear the same piece, as played by pianist X or pianist Y. You simply cannot play a piece twice the same way. Try it!

Here's how to practice an exercise or a song:

Six quietly, upright and relaxed Hear the music in your head: hear it better than life. Sense its movement and pulse rolling through you, turning and adjusting your own pulse, you are the prime "instrument" of this music - sitting there alert, tuned by silence, vibrating to is rhythm, lending it your own life entirely.

As you feel the music filling you, heart and soul, you will know that it is getting ready to be born.

When it has stirred you, lift your hands to the keyboard. This is the reason you wanted to play in the first place: to bring alive what has already moved you. And, suddenly, by centering your focus, you've turned practicing from a duty into an attraction.

Ron Worthy is a Music Educator, Pianist and Songwriter. He offers online instruction that focuses on Rock, Pop, Blues, Cocktail, R&B and "Smooth Jazz" piano styles. To Download Your FREE Piano Lesson Video, go to: http://www.playpianotonight.com/VC.html.

Play Piano - Preparing to Practice

           

         >>  Dont Even Think Of Trying Other Prodicts untill You Read This <<

 

When the practicing "blahs" strike, you just need an attitude adjustment. You don't have to sweat blood to practice well. You don't even have to think of it as work, or duty, or even something that you ought to do.

Stop a minute and think about it. You like music, and you want to play some special piece that really means something to you. You want it to sound through you - right through your fingertips.

Okay? Well, you practice it to fulfill that desire, not to frustrate it.

Pause here and ask yourself some questions:

What if you could look at a piece of music for the first time, and play it correctly straight off, just as fine as you please?

How would you feel about practicing then?

Or, what if you were practicing for the Olympic swim meet next year, and felt deep down that you had a chance? How would you feel then about the training? Would you plunge into it each morning?

What if you were interrupted at a good point in yesterday's practicing? What if you had just about broken through a tough spot when you had to stop? Would you want to get back to it today as soon as possible?

You answer those questions, honestly, for yourself. There are ways to say "YES!" every day.

But, first, you've got to stop blaming yourself. You don't have to be perfect every time. You don't have to be the best player, today. And you don't have to listen to what other people say about your playing - people who are only half listening, and don't care the way you do.

Put all that out of your mind. What matters is your desire to play as well as possible.

Just start with playing - one note after another, and keep going. As the Chinese say, "A journey of a thousand miles begins with the first, step." And, if the very first step leads to the first slip, be glad for it. You can't, repeat, cannot learn without mistakes!

Now, start to think more personally about your instrument.

The piano, like the guitar, is a "touchy" instrument. Touch it, and you both produce and color its tones, like a potter molding clay. Think of the keys, all gleaming white, as the "skin" of the piano; you can either please them or hurt them. Stroke them, and the sound will come out mellow and purring. Poke them, and the sound will either "bark" sharply or woodenly "thud."

Stop thinking of yourself as playing "on" or "at" the piano. Rather, think of the instrument as an extension of your own body. When an artificial leg is fitted to an amputee, he is then taught to walk with it. Gradually, it feels more natural - more like his own leg walking. The French call the keys "les touches," or "touch-points" - as if the keys, not you, were doing the feeling.

Every musician wants to personalize this instrument. Take a look at the vocalist who hugs his guitar, or without a guitar, woos his microphone, or, without a microphone, simply woos the audience?

Every musician seeks to make his instrument an extension of his own body, the tool he or she needs to put across the strong feelings he as for the music.

Nadia Boulanger, one of the greatest teachers, put it best: "Don't speak to me of talent; speak to me of desire."

Go to the piano or keyboard not to reproduce a piece, but to experiment with your best way to bring out what is there. There is no one right way to play a piece - no matter how loudly some people protest that there is.

Artists in fact, vary greatly, and audiences return again and again to hear the same piece, as played by pianist X or pianist Y. You simply cannot play a piece twice the same way. Try it!

Here's how to practice an exercise or a song:

Six quietly, upright and relaxed Hear the music in your head: hear it better than life. Sense its movement and pulse rolling through you, turning and adjusting your own pulse, you are the prime "instrument" of this music - sitting there alert, tuned by silence, vibrating to is rhythm, lending it your own life entirely.

As you feel the music filling you, heart and soul, you will know that it is getting ready to be born.

When it has stirred you, lift your hands to the keyboard. This is the reason you wanted to play in the first place: to bring alive what has already moved you. And, suddenly, by centering your focus, you've turned practicing from a duty into an attraction.

Ron Worthy is a Music Educator, Pianist and Songwriter. He offers online instruction that focuses on Rock, Pop, Blues, Cocktail, R&B and "Smooth Jazz" piano styles. To Download Your FREE Piano Lesson Video, go to: http://www.playpianotonight.com/VC.html

Should You Learn on a Keyboard or Digital Piano?

           

         >>  Dont Even Think Of Trying Other Prodicts untill You Read This <<

 

The keyboard and digital piano market is certainly much larger today than the acoustic piano market. The reasons for this are mainly due to the available space in the modern home, advances in technology that allow you to record your own music on your digital piano or keyboard, and the useful feature of being able to play with headphones.

- - Grand Pianos - -

In an ideal world it is best to learn on a grand piano.

The grand piano produces the best sound, has more weight to the keys which strengthens the fingers more, and has a faster repetition due to the superior horizontal piano action which relies more on gravity than the upright.

The disadvantages of the grand piano are mainly the space they take up and the high price tag.

- - Upright Pianos - -

The upright piano is the next best thing to learn on.

Much less space is required than a grand piano, prices are cheaper and the sound of the tallest uprights are almost identical to the grand piano.

- - Digital Pianos - -

The digital piano comes next in line.

The sounds are recordings from a grand piano and the touch, although lighter than a grand or upright piano, is pretty realistic.

The main advantages of the digital piano are:

* Cheaper to buy * Easier to mover around * Lots of different instrument sounds to play around with * Can be used with headphones * Takes up less room than an upright piano * Easy to record your own music * No tuning required

Disadvantages:

* New improved models are brought out every 2-3 years * They wear out very quickly if played a lot * The touch is not quite heavy enough * The sound is easily identifiable as electronic

- - Keyboards - -

Last in line is the keyboard.

The keyboard is not the best thing to learn on.

Advantages are:

* Much cheaper to buy than any other type of piano * Easy to carry around * Takes up limited space. Easily storable * Record your own music * No tuning required

Disadvantages:

* The keys are way too light * Only 61 keys instead of 88 * Poor sound quality * Harder to play dynamics

- - Conclusion - -

If your budget is tight, then a keyboard will do for the first year of playing only.

Practicing on a keyboard is ok if you are mainly learning the notes and the theory of music. After one year you will need to upgrade to either a digital piano or an acoustic piano.

There is a free piano course I have created for you below. It will give you a taster for piano lessons without you having to spend any money. I have given as much information, tips and techniques as possible.

Graham Howard is considered an expert in the piano industry. He has spent his whole life SURROUNDED by pianos. You can get some free piano lessons: "Learn How to Play Piano, Read Chords, Understand Rhythm and Read Music", a free 5-part mini course written by Graham Howard here: http://www.ukpianos.co.uk/free-online-piano-lessons.html

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How To Learn To Play Piano Efficiently And Easily By Mimicking Professional Piano Players

           

         >>  Dont Even Think Of Trying Other Prodicts untill You Read This <<

 

The best way to learn a language is to imitate native speakers. Likewise, the best way to learn the piano is to imitate professional piano players.

When you learn a foreign language, you try to converse with those who speak the language fluently. Hopefully, you?ll pick up the right intonation, phrasing, accent, and pronunciation. The more you imitate, the more fluent you become.

Learning the piano is no different. Music is a language. As such, it has intonation, phrasing, dynamics, etc. But the key to mastering the piano, like mastering a verbal language, is to acquire good habits from the start. This is why it?s important to learn from someone who has already mastered the language of piano. Many beginning piano students fall into the trap of learning by themselves without the proper guidance to master the fundamentals. The following pointers help to get beginning students into the right track to becoming competent piano players.

? Seek out a good piano teacher who does not hesitate to let you imitate his/her skills. Ask yourself this question ?is he/she going to teach me the necessary skills to become a well rounded player or is he/she just going to teach me the same old ?Twinkle, Twinkle Little Star? like many other old school teachers do. If you go with self study, make sure you choose a system that emphasizes the imitation technique.

? Learn the fundamentals ? take your time to learn the basics. When you first learn a foreign language, you don?t try to converse in full sentences right away. You start out with one letter at a time, one syllable at a time. Then you put syllables together to form one word, and then you put words together to form sentences. Before long you?re able to communicate with your fellow students. Likewise, when you start out learning the piano, learn one hand at a time, then hands together; one chord structure at a time, then chord progressions. Simply and joyfully.

? Choose a method that de-emphasizes note reading and encourages chord style playing and playing by ear. I?m not saying that you should not learn how to read note, but if you want to start playing hundreds of songs, start learning chord style piano. Chords are much easier to learn and master. With only a few chords you can play many pop songs pretty quickly. And if you are so inclined to learn classical piano later on, you can always focus on pure reading then.

? Have fun or else ? just because you are starting out learning the piano, doesn?t mean you can?t have fun. This is important if you want to keep playing the piano for years down the road. Many students give up early because they don?t have fun. Unfortunately, traditional methods that teach rote memory and emphasize on sight reading tend to discourage this important element. Thanks to today?s technology and other alternative piano methods that focus on chord style piano playing, students learn to play and have fun from day one. Some online piano methods incorporate audio, video, and computer games to help the beginning students learn better and faster.

The key to learning to play the piano well is not about ?suffer first then enjoy later?, but to enjoy it now - from day one! It doesn?t have to take 6 months before you start having fun. Take all the time you need, but enjoy every moment of it now.

Alex Nguyen is the ?Rapid Piano Expert? who has been playing the piano for over 20 years. Now he?s helping others learn to play the piano rapidly and enjoy it from day one. To get your FREE mini report ?The 7 Most Powerful Tips To Learning The Piano Rapidly,? and learn how you can get personal piano coaching from Alex for FREE for a very limited time, go to http://www.RapidPiano.com

Learn to Read Piano Music

           

         >>  Dont Even Think Of Trying Other Prodicts untill You Read This <<

 

Jan Durrant

Making Music Now's Mini Course

Making Music Now's Mini Course
A Music Basics Guide for the Beginning Musician



Hello! Welcome to the wonderful world of music. Have you always dreamed of being able to learn how to play the piano, keyboard, guitar or any other instrument? Well, your dream is just about to come true with this Free Music eCourse. This dream of yours is not something so far away that it cannot become a reality in a very short while.

This is not rocket science but it does take a genuine commitment on your part to read all seven chapters of this Free Music eCourse in order to learn the music fundamentals that will apply to any instrument. Be sure to STICK WITH IT!

Make it a point to pace yourself. The course has been written with the
intention of going through it in order, with one chapter building on the next. Now that you have laid the groundwork for your plan, let us begin! Whatever instument you are studying or plan to study in the future, each one of those instruments has a history. Let's take a moment to learn a very brief history of keyboard instruments.

Did you know that pianos in some form have been around for over 500 years? Some of the first instruments of this kind were called clavichords. They had a very light, metallic sound because the small hand-pounded 'hammers' were made of very light weight metal-like material. These hammers struck strings of varying lengths to create different tones or pitches. The next cousin to the clavichord was the harpsichord invented by Cristofori in Italy around 1450 A.D. This keyboard instrument had a mechanism in it called the plecktrum which 'plucked' the strings and produced a slightly stronger sound than its predecessor.

Whether you are playing an acoustic instrument, which is the closest relative to the history just mentioned, or an electronic keyboard, you are now participating in a centuries old musical art form.

SOME PRACTICAL CONSIDERATIONS

Piano or Keyboard?

Does it matter if you have a keyboard or a piano? Certainly not. The only real difference is that a full size piano has 88 keys (counting both the white and black keys). Keyboards come in several different sizes. Some have 60 keys, some even less. There are also 88 key electronic keyboards and digital pianos that produce very realistic acoustic sounds. Whatever size your instrument may be, remember that the ARRANGEMENT of the keys and the ORDER of the KEY NAMES is the
same on both instruments. Rest assured that your basic knowledge of the fundamentals of music can be learned quite effectively either on a keyboard or a piano. The only missing ingredient is your own persistence and determination to persevere through the entirety of the material in this course with regular practice sessions. Do that and your success is assured!

SELECTING THE BEST LEARNING PLACE IN YOUR HOME

Please take a moment and give serious consideration at to WHERE you practice in your home. Make sure that you are not within earshot of the television. Even if you are used to 'watching TV with your ears' while you do other things, it will definitely be a roadblock to your learning to Play Piano Now! Also, make sure that you can sit down at your piano or keyboard comfortably. If you have a piano and a bench which came with it when you bought it, then you are in great shape. Seating at a keyboard can prove a little more difficult. Just make sure that you are not reaching too high up or stooping down too low for the keyboard. Finding a chair that is the right height is the key. The right height chair will allow your arms to be a an almost perfect right angle (45 degree) from your body to the keyboard. Don't worry too much about this. If you have the wrong height of chair your back will start screaming at you to change your position!!! Please make any adjustments to keep your back straight and your arms at a 45 degree angle and you enjoy hours of music in one seating.

PRACTICE GUIDELINES

Please practice as long and as often as you like. I am not going to recommend a particular practice schedule for anyone. You will find your own pace. Sometimes people ask me how long it will take to learn to Play Piano Now. I simply answer with the question of how much time are you willing to put into it on a daily basis. Since this is an introductory piano course for beginners, I think it would be very effective to work at 30 to 45 minute intervals on a daily basis. The longer you put in, the more quickly you will learn and progress. However, your mind needs a while to 'soak up' the information and will work best when you have some hours or a day or so in between practice sessions. The main thing is to make up a schedule and stick to it! The longest journey begins with the first step!

As a convenience for you I have created a practice chart and placed it below. Please feel free to make copies of this practice chart and use it daily. As I am sure you have heard before, a habit of doing anything takes root much better when we write down the thing that we are doing on a daily basis.

Take advantage of this practice chart by placing it beside your piano or keyboard and filling in your practice times on a regular basis.

PRACTICE RECORD

Week of _____________, 2003
Monday Tuesday Wednesday Thursday Friday Saturday Sunday
___min ___min ___min ___min ___min ___min ___min


Week of _____________, 2003
Monday Tuesday Wednesday Thursday Friday Saturday Sunday
___min ___min ___min ___min ___min ___min ___min


Week of _____________, 2003
Monday Tuesday Wednesday Thursday Friday Saturday Sunday
___min ___min ___min ___min ___min ___min ___min


Week of _____________, 2003
Monday Tuesday Wednesday Thursday Friday Saturday Sunday
___min ___min ___min ___min ___min ___min ___min

Week of _____________, 2003
Monday Tuesday Wednesday Thursday Friday Saturday Sunday
___min ___min ___min ___min ___min ___min ___min

Week of _____________, 2003
Monday Tuesday Wednesday Thursday Friday Saturday Sunday
___min ___min ___min ___min ___min ___min ___min

Week of _____________, 2003
Monday Tuesday Wednesday Thursday Friday Saturday Sunday
___min ___min ___min ___min ___min ___min ___min


Week of _____________, 2003
Monday Tuesday Wednesday Thursday Friday Saturday Sunday
___min ___min ___min ___min ___min ___min ___min


Week of _____________, 2003
Monday Tuesday Wednesday Thursday Friday Saturday Sunday
___min ___min ___min ___min ___min ___min ___min



MUSICAL TERMS

Let's begin our musical study with a review of the main musical terms you will need to be familiar with to proceed with your music education.

BAR LINE - A vertical line which separates notes into groups

DOUBLE BAR LINE - A set of two (2) vertical lines which stand for the end of a piece of music

REPEAT SIGN - Double bar with two dots at the end of a section or piece of music which
indicates that section is to be played twice.

MEASURE - The distance between two bar lines.

TREBLE CLEF - The S-shaped symbol which stands for notes played with the right hand.

BASS CLEF - The reversed C-shaped symbol which stand for notes played with the left hand.

STAFF - The five lines and four spaces of both the bass and treble clefs.

QUARTER NOTE - Musical symbol with solid note head and stem which gets one count.

QUARTER REST - Musical symbol resembling a sideways W which gets one count.

HALF NOTE - Musical symbol with hollow note head and stem which gets two counts.

HALF REST - Solid half block sitting on third line of the staff which gets two counts of silence.

DOTTED HALF NOTE - Musical symbol with hollow note head, dot and stem which
gets three counts.

WHOLE NOTE - Musical symbol resembling a circle on the staff which gets four counts.

WHOLE REST - Solid half block hanging from the second line on the staff which gets four
counts of silence.

CHORD - Two or more notes played together.

BLOCKED CHORD - Two or more notes played at the same time

BROKEN CHORD - Two or more notes from the same chord played in sequence

INTERVAL - The distance between two notes on the musical staff



EACH FINGER HAS A FINGER NUMBER!


5 4 3 2 1 1 2 3 4 5


LEFT HAND RIGHT HAND

**THE THUMB OF EACH HAND IS FINGER #1

**THE INDEX FINGER OF EACH HAND IS FINGER #2

**THE MIDDLE FINGER OF EACH HAND IS FINGER #3

**THE PINKY FINGER OF EACH HAND IS FINGER #4

WHICH FINGER IS #4???????????



USE CURVED FINGERS AT THE KEYBOARD

It is very important to use curved fingers while playing any keyboard

instrument. This simply means to try and play on the finger tips

instead of on the finger pads. Keep the fingers relaxed while slightly

rounding them as if holding a soft ball in the palm of each hand. Hold

the ball gently and keep your arms and hands as relaxed as possible

while playing.




CURVED FINGER EXERCISE

Are you ready to play your first piano piece? Let's start with a right
hand finger exercise. Place your right hand thumb on any white key in
the middle of your piano or keyboard. Then simply place each finger
numbers 2, 3, 4 and 5 (pinky finger) next to each other on the next white key. Each finger should have a key of its very own to strike. Never put more than one finger on a key. Now start with your thumb and plan the white keys in sequence. Say 1 - 2 - 3 - 4 - 5- 4 - 3 - 2 - 1 as you play each of those fingers. Repeat this pattern three times.


Now place your left hand thumb on any white key of your piano or
keyboard and go through the same exercise. Be sure to say the fingers
number as above. Say the finger numbers reinforces the fact that
thumbs are one and pinky fingers are five. This will especially helpful
to you later as you will be saying counts instead of finger numbers.


LEARNING THE BLACK KEY GROUPS

Take a look at your keyboard and notice the pattern of two
black note groups and three black note groups repeating itself all up
and down your keyboard instrument. This is the same way that
these black note groups look on your piano or keyboard. Please take a
moment at your own keyboard and find the two and three black note groups in the following sequence:


2 Black 3 Black 2 Black 3 Black 2 Black 3 Black 2 Black 3 Black
(bottom of keyboard) (top of keyboard)


When I refer to the 'bottom' of the piano please go down to the left-
hand side of your instrument. Obviously, when I refer to the top of the
piano please go all the way up to the right hand side of the piano.
Using the diagram above, go to your keyboard and practice moving in
both upward and downward directions.



FIRST FINGER EXERCISES USING THE TWO AND THREE BLACK NOTE GROUPS

Following are two finger exercises:
The first exercise will introduce the two black note group. Please use finger numbers two and three (remember your right hand thumb is finger number 1, your right hand index finger is finger number 2, etc.).
Repeat the finger number sequence below as you practice on your keyboard or just on a table top. Just say the finger number that you are using at that moment. Use your RIGHT HAND FIRST and play evenly. Then use your LEFT HAND and repeat the same pattern:

2 3 2 3 2 3 2 3 3 2 3 2 3 2 3 2 2 2 2 2 3 3 3 3 2 3 2 3 2 3 2 3

The second exercise will introduce the three black note group. Use finger numbers 2, 3 and 4 on this exercise. Again, be sure to whisper the finger number as you play and keep an even rhythm.

Even though these are just finger exercises, it is still very important to practice evenly and clearly without rushing through. Use these two exercises daily to warm up your fingers and develop finger independence and strength. Use RIGHT then LEFT hands:

2 3 4 3 2 3 4 3 4 3 2 3 4 3 2 3 2 3 2 3 4 3 4 3 2 3 4 3 2 3 4 3

Be sure to pracitce doing these finger exercises daily for just a few minutes. It will really help your finger independence and facility in the weeks ahead.


INTRODUCTION TO THE WHITE KEYS


There are only seven (7) letter names used on the piano:


A B C D E F G


It is interesting to note here that no matter what instrument you play,
whether it is piano, tuba or violin, ONLY the seven letter names above
are used in the entire realm of music!

There are two very easy ways to visualize and remember the names of
the white keys on your piano and keyboard. Remember, the note names on an electronic keyboard are the same as on the acoustic piano.
Since it is not possible to include a graphic in this format, simply remember that the 'CDE' note groups in always located directly underneath the two black note group. The letter name 'D' in the white key always located directly inbetween the two black key note groups. ANY TWO BLACK NOTE GROUP on the piano has the letter name 'D' as the white key located inbetween them.

Go to your keyboard NOW and start to play all of the C-D-E groups
from the lowest (bottom left) to the highest (top right) on your
keyboard. Say C - D - E as you play each key.

Now we will learn about the F - G - A - B note groups. Simply located any three black note group on your piano or keyboard and realize that the F-G-A-B white keys are located directly beneath them. Directly outside of the three black note groups are 'F' on the left hand side of the three black note group and 'B' on the right hand side of the three black note group. Just fill in the outer 'F' and 'B' with G and A and you are done!

Go to your piano or keyboard NOW and find all of the F-G-A-G white keys underneath each three black note group. As above, play slowly and evenly saying the letter names as you play the F-G-A-B groups from the bottom of the piano or keyboard (low left hand end) to the top of your piano or keyboard (top right hand end).

Congratulations! You now know ALL of the white key names on the piano!


TREBLE CLEF NOTE NAMES

Both the Treble and Bass clefs each have five lines and four spaces. Learning the actual note names of each line and space (the spaces between each line) is very simple. Please memorize the sentences below for the Treble Clef Line and Space Notes:

Treble Clef Line Notes(starting from the bottom line and moving up)
EGBDF
Every Good Boy Does Fine (the first letter of each word helps you remember the order of the notes)

Treble Clef Space Notes (starting from the first space and going up)
FACE
Just remember that the treble clef spaces spell the word 'FACE'.


Bass Clef Line and Space Notes are as follows:
Line Notes: GBDFA
Great Big Dogs Fight Animala
Space Notes: ACEG
All Cars Eat Gas

Now you know all the names of the white keys on your piano or keyboard. You also learned today the acutal letter names of each line and space on both the treble and bass clefs

BASICS OF RHYTHM

WHAT DOES A QUARTER NOTE LOOK LIKE?
WHAT DOES A QUARTER REST LOOK LIKE?
Both the Quarter Note and the Quarter Rest get one beat. The Quarter Note has a filled in note head and a stem. The Quarter Rest is a vertical musical symbol which resembles a 'W' turned on its side.

The Quarter note symbol stands for a note that is played for the length of one beat. In other words, play any key on your instrument right now and simply hold it down while you say 'one'. It is what we would call a short note.

The Quarter rest is a musical symbol which stands for one beat of silence.

In other words, beats of silence in music are counted just like beats of sound. The only difference between these two musical symbols is that there is complete sound for one beat during a Quarter Note and complete silence for one beat during a Quarter rest in music. Start off your experience in rhythm by simply clapping the rhythm pattern of quarter notes and quarter rests in the following exercise. Make sure that when you say 'one' you ARE clapping both hands together on that beat and when you say 'rest' you are holding your hands apart on that beat. BE SURE TO SPEAK THE WORDS 'QUARTER NOTE' AND 'QUARTER REST' AS YOU CLAP OR MOVE YOUR HANDS APART ON EACH BEAT.
'QN' - stands for Quarter Note
'QR' - stands for Quarter Rest

FIRST RHYTHM EXERCISE:
QN-QN-QN-QN/QN-QR-QN-QR/QN-QN-QN-QN/QR-QN-QR-QN/


WHAT IS A MELODY?

A melody is nothing more than a string of notes played one after the
other to create a tune or melody. How many times have you asked someone how a tune goes? Please whistle that tune for me.........Well, that, my friend, is a melody.

When you first sat down at a piano or keyboard and tried to pick out the correct sequence of keys to your favorite melody, you were
actually playing short melodies or tunes. Go to your instrument now and use the information you have learned today about Quarter Notes and Quarter Rests and make up a new melody all your own!

WHAT IS HARMONY?

Harmony is simply defined as notes, chords or other arrangements of notes that accompany a melody to make a fully developed piece of music. If one person sings a vocal solo, that would be a melody. Two people singing together is called a duet. When the second person sings different notes than the first person, that would be creating harmony with the melody. So it is in any other musical ensemble. The melody is the part of the music that we remember the most and even sing to ourselves later.

One of the most basic forms of harmony in piano music is the chord. A chord consists of two or more notes played together in either hand which can create harmony when played along with any given melody. You will notice that either hand can play the harmony, just as either hand can play the melody. In the Challenge Pieces Section of Play Piano Now (www.MakingMusicNow.com) is a piece entitled
Moonlight Melody'. The melody starts out in the right hand, then goes
to the left hand in the middle section and, finally, ends up in the right hand again to end the piece.


CHORDS

A chord is defined as two or more notes from a scale played together at the same time. Chords may be played in either blocked chord form or broken chord form. A blocked chord simply means that two or more notes are played at the same time. A broken chord is created when that blocked chord is just played one note after the other in sequence.

The first chord we will study is the C Major chord. The notes of the C Major chord are C, E and G. Try this C Major Chord Exercise by placing fingers 1, 3 and 5 of each hand down on your desk or table top right now(remember that the thumb is finger number 1, the middle finger is number 3 and proceed to the pinky finger which is finger number 5). Press down all three fingers (1,3 and 5) at the same time. You have just played the C Major BLOCKED chord. Use this same table top method right now and similarly press down each finger 1,3 and 5 in sequence (one after the other) to create a BROKEN chord.

SPECIAL TIP** Remember, a chord with stems up means the right hand is playing and a chord with stems down means the left hand is playing the chord.

Please practice this C Major Chord Exercise with Right Hand Only:
'QR' - stands for Quarter Rest or one beat of silence
'Ch' - stands for the C Major Chord.
(Again, use your table top and press down 1,3,5 together for 'Ch'. Say 'Chord' each time you press down your fingers on the table top. Also, when you come to the 'Qr' symbol simply lift your hand off of the table top and say 'Rest')

Ch-Ch-Ch-Ch/Ch-Qr-Ch-Qr/Ch-Ch-Ch-Ch/Ch-Qr-Ch-Qr

ALL ABOUT INTERVALS

An Interval is defined as the distance between two notes (Refer to Chapter 2 of this course: Musical Terms). The first interval to consider is the interval of a Second, notated as '2nd'. The second is also referred
to as a 'step' in music reading because it is the distance you can travel on your keyboard or piano from one key to the very next key.

It is important to learn to read music by INTERVAL rather than by FINGER NUMBER because the fingerings will not be available on all pieces of music that you encounter. Also, learning to read music by interval enables you to be a much more well rounded pianist because you can start on any given note and read your way through any piece
of music. If you concentrated too much on just C Position or Middle C Position, you would soon become less able to read notes in other areas of the staff.

Now look at the series of letter names below. This series of letters corresponds with your piano or keyboard. Keys C, D and E are in that sequence right next to each other on your keyboard. Moving from one note to the next either up or down in a sequential manner is moving by Seconds. This exercise is written is centered around the concept of the Second, or step. Place your right hand thumb (finger number 1) on a table top or on your keyboard in front of you. Your thumb will be resting on C, your second finger will be resting on D and your third finger will be resting on E. You will be playing interval or distances of a Second throughout this exercise. Be sure to practice this exercise two different ways:

1. Say the Letter Names as you play.

2. Say 'Step up' or 'Step Down' as it is written on the music.

EXERCISE USING AN INTERVAL OF A 'SECOND' :

C D E D / C D E D / E D C D / E D C D / C D E D /


INTERVAL OF A THIRD


The next interval we will learn is the interval or distance of a third or 3rd. This is also referred to as a Skip because we are actually skipping over one note to reach the next note on the piano when we play an interval of a third.

Intervals of thirds can be read easily because they go from one line note to another line note. They can also be from one space note to another space note. In the following space note exercise ALL of the intervals of thirds are both either line notes or both space notes.

Practice the following exercise using thirds the following three ways:

1. Place your right hand in the C Position (RH thumb on Middle C). You will be using note names C, D, E and F with finger numbers 1, 2, 3 and 4.

2. Say the Letter Name of each note as you play

3. Play again and say Skip Up' or Skip Down' as the music indicates.

EXERCISE USING AN INTERVAL OF A 'THIRD':

C E C E / C E C E / D F D F / D F D F / C E C E


INTERVALS OF FOURTHS AND FIFTHS

Larger intervals of fourths (4ths) and fifths (5ths) are also found a lot in music. We will explore these intervals and corresponding exercises later on. Keep in mind that intervals of fourths and fifths can be identified by the larger distance between these two note intervals. The interval of the fourth (4th) involves one line note and one space note with a larger distance between them than you found in the similar interval of the second (2nd).

The interval of the fifth (5th) involves either two line notes or two space notes. Again, this interval of a fifth is similar to a third except there is a greater distance between the two notes than there was between the interval of a third.

DYNAMIC MARKINGS

The vehicle for expression in music comes through the context of dynamic markings. Since the Italians were the ones to first write marks of expression in their music as well as print the first music manuscripts on paper, all of the marks of expression or dynamics are from Italian words. Please look over the list of dynamic markings below and familiarize yourself with them. This is by no means an exhaustive list. Only those basic symbols are included here that pertain to the pieces within the Play Piano Now piano course.



DYNAMIC MARKINGS START WITH SOFT AND GO TO LOUDEST:

Piano - Italian word for soft. symbol used in music: p

Pianissimo - Very soft; symbold used: pp

Mezzo Forte - Medium Loud; symbol used: mf

Forte - Loud; symbol used: f

Fortissimo - Very Loud; symbol used: ff

Crescendo - Gradually getting louder; symbol used: <

Decrescendo - Gradually getting softer; symbol used: >


You can also learn more about the Play Piano Now piano course at:

http://www.MakingMusicNow.com

All the best in your future musical endeavors,

Jan Durrant, Publisher
http://www.MakingMusicNow.com
Teacher@MakingMusicNow.com