Play Piano Like a Pro: Even If You've Never Taken a Lesson in Your Life!

           

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The first thing most students think they have to learn when taking piano lessons is note reading. But not only is note reading unnecessary...it's a hindrance when you really want to play piano like a pro. Why? Because pros use chords. And chords are much, much easier to learn than reading sheet music.

While chords will help you play like a pro fast, it all depends on the kind of chords you play. For example, most fledgling piano students think they will begin by playing triads. And for most piano teachers, this is the chord structure taught at the beginning. While there is nothing at all wrong with triads (all western music is built on this) it just won't give you a modern sound.

A chord structure I have my beginning students learn first, the open position piano chord, uses both hands right away to create a modern sound!

The benefit of using both hands right away is that you can vary the tones between hands to create a rich, beautiful sound that can NEVER be accomplished with the simple triad. Why piano teachers have their students learn triads first, I'll never know. But when you learn this chord position first, it allows you to create a open vented sound that is perfect for today's contemporary styles. Jazz, New Age, etc.. These styles can be created easily using the open position piano chord.

The way to play these chords is relatively easy. It may take a few minutes for your hands to get used to because this chord structure really stretches your hands. Here's how it works. The left hand gets the root note, the fifth, and the seventh. The right hand gets to play the third, seventh, and third again. So, if we were to play a C Major 7 chord, it would be spelled like this: LH - c, g, b RH - e, b, e. This looks a lot more complicated than it actually is and when you see it laid out for you on a keyboard diagram, you'll immediately see how easy it actually is to play!

To play the piano like a pro, don't start with triads; try the open position piano chord. You won't be sorry!

Edward Weiss is a pianist/composer and webmaster of Quiescence Music's online piano lessons. He has been helping students learn how to play piano in the New Age style for over 14 years and works with students in private, in groups, and now over the internet. Stop by now at http://www.quiescencemusic.com/piano_lessons.html for a FREE piano lesson!

Learn and Play Piano Now With This Easy to Use Technique!

           

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You want to learn piano and play it now, but you don't want to spend years at it. Understandable. You're going to love this. It's something called the ostinato technique and with it you'll be able to improvise and create your own unique piano music right away!

An ostinato simply means repeating pattern. It's used in all types of music and is perfectly suited for the piano. Why? Because it's easy to create with! For example, let's look at one of my free piano lessons, "Winter Scene."

Here we have a repeating pattern (ostinato) going on in the left hand while the right hand improvises a melody. Now, why is this such a great technique for beginners? Because most anyone can play an ostinato pattern right away! There is no note-reading, no theory, and no requirement here other than being able to finger a chord. And 99.9% of people can do this!

The first thing you notice with this lesson is the sound. A full rich sound that's created with the left hand. The ostinato pattern creates a harmonic background over which you can improvise your own melody. And it takes just a few minutes to do! You don't have to read music. You don't have to take years of lessons. No. You just have to learn a little about chords and you can sound like a pro faster than any adult student who decides to go the classical route and spend thousands of dollars on a piano teacher.

To learn and play piano fast, learn the ostinato technique. It can be used in many, many different musical styles and offers you a quick way to create your own music fast!

Edward Weiss is a pianist/composer and webmaster of Quiescence Music's online piano lessons. He has been helping students learn how to play piano in the New Age style for over 14 years and works with students in private, in groups, and now over the internet. Stop by now at http://www.quiescencemusic.com/piano_lessons.html for a FREE piano lesson!

Play and Compose New Age Piano Now - Even if You've Never Touched a Keyboard!

           

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So, you love the sound of New Age piano. You may have wondered how certain people can just sit down at the piano and start playing from scratch. It's not magic! It's called knowing what you're doing and you can do the same! To begin, you need to know a few chords. I suggest complete beginners start out with something called the open position chord. This chord structure has many, many benefits for the beginner (and advanced student!)

First, it's a modern sounding chord. Forget about triads and scales. The open position chord allows you to play seventh chords right away. This chord structure is used by most jazz and contemporary piano players.

Second, it uses both hands right away! When you first finger this chord structure, it will stretch your hands out completely. In fact, you will be playing more than 2 octaves of the piano keyboard. This is something beginners want to do right away and it can be done with a minimum of practice.

Let's look at how we can use this chord structure to create music with. In the lesson "Reflections in Water" we have 4 chords to play. The chords are in the Key of C major, which means they are all located on the white keys. We finger the first chord (C Major 7) with both hands and notice the sound. How open it is! The sound you get from this chord is perfect for the New Age sound. In fact, once we finger this chord, we only have to move our fingers around a little and music comes out. It's really an amazing thing.

We switch chords using the same fingering and play around with the notes from the C major scale. This is all that is required to create New Age piano music or Jazz music for that matter. The amazing thing about this chord type is the amount of music you can create right from the start. If you're into New Age piano and want to immediately play in this style, I highly recommend you learn how to play the open position piano chord!

Edward Weiss is a pianist/composer and webmaster of Quiescence Music's online piano lessons. He has been helping students learn how to play piano in the New Age style for over 14 years and works with students in private, in groups, and now over the internet. Stop by now at http://www.quiescencemusic.com/piano_lessons.html for a FREE piano lesson!

Play Piano Tonight

           

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play piano tonight! A new mathmatical way of learning to play the piano tonight - without the stress!

As a professional concert pianist I often have people ask me, "I'm in my 50's is it too late to learn piano?" Well, there is no simple answer to this question since everyone's capacity to learn and everyone's passion to learn is different.

But, based on my experience it is never too late. However, it is absolutely imperative that you Start Learning play piano tonight! Why? Because, a very wise man once told me, if you're not learning you're dying. You see, life is all about learning. It's what gives us reason to live. Can you think of anything better about life than the new experiences, relationships and wisdom that comes from learning? So, if you have any passion at all for learning to play piano music then I highly recommend that you start right away.

The most important question you should be asking yourself is; "How can I learn faster and retain more information?"

Do you know what most people don't understand about the learning process? It's not how much information you can cram into your head at one time but, how much information you can actually retain that causes you to learn faster and more efficiently. What happens is; people inevitably try to tackle all at once the incredible amount of work that it takes to play the piano. Not only is that impossible to do, but it's not much fun either. And, that's why most people give up after only trying for a short period of time.

Let's talk about the way most people were taught to learn. Think back for a moment to when you were in school. Do you remember cramming for an exam? Most people certainly remember the anxiety associated with it. You cram as much information as you can into your head in a very short period of time, hoping to get a good grade on your exam. So, what would happen 2 weeks after taking the exam if you had to take it again? How much would you remember? Not much at all I'm sure! That's why learning this way is so painful because you're never able to show consistent long term retention.

Now, imagine for a moment that you applied this technique of learning to the piano. You cram for 2 weeks as much information as you can get into your brain about a piece of piano music. Then, you stop practicing for 2 weeks. Then, you go back and try to play what you learned. How much do you think you could get right? Based on my experience, "Almost Nothing!"

In my line of work I am responsible for not only remembering a minimum of 1.5 hours of piano music for every concert I perform but, I have to perform it flawlessly. Is this possible? Yes it is! But, not by learning the way most people learn. You see, there is a formula that works best for learning to play piano tonight and it's the same formula that works for learning anything worthwhile. And, here it is....

10-24-7

What does this mean? Well, 10 stands for the amount of energy you put into learning what it is you're learning. How many things can you learn at once? One! So get rid of that big pile of music sitting on the piano because that just represents stress! You can't possibly learn all that anyway. So, just learn one thing at a time and do it at a level 10 which is; giving 100% of your energy until you can play it without thinking.

Then, do the same thing again in 24 hours. At a level 10 (100% of your energy), learn the same single thing you just learned the day before. Then, in 7 days do it again and I promise you that your retention rate for that one thing you learned will go up by 85%. Is this possible? Yes! That's how I'm able to perform as many concerts as I do and never take a sheet of music with me on stage. I learn one thing at a time. But, once I learn it, I don't forget it...ever!

There's a term we use for this type of learning and it's called "accelerated learning techniques" or "advanced learning techniques." It's what I teach in my seminars because it's what works best for me and for the hundreds of people I've taught it to. So, if you want to play piano tonight, even if it's for the first time, follow my example. Use the 10-24-7 approach, you won't regret it.

If piano music is your passion, check out Ron Worthy's website at https://paydotcom.com/r/6433/crawling/422201/. There you will find piano lessons on dvd for visual learners

Learn How to Play Piano

           

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Some people are more musically inclined than others, but that doesn't mean you cannot learn how to play the piano. Many tricks of the trade exist that can have you playing the piano within a couple of months of practice, and some online courses even claim to help you learn much faster. No matter what is claimed or what is available, the most important aspect of learning how to play any new instrument, hobby, or art form is dedication and practice.

Listening to Beethoven, Mozart, or any other genius composers might make you want to sign up with the best instructor you can find. Your aim might be to enthrall others with the beauty of classical, modern, or even jazz piano playing. Many adults who learn how to play the piano choose to do so through rigorous methodologies of learning the fundamentals of music first. This requires dedication and lots of practice, not to mention the cost of an instructor.

For other learners who want to give the piano a try, quicker methods won't mean you will enjoy playing the piano any less. It simply means you will not have the fundamental base that someone else has learned over a longer period. One of these quicker methods, both on and offline, involve the learning of chords. In an evening, someone who knows nothing about the piano might have the ability to play a melody just on chords alone. Playing by chords is usually encouraged more than playing by tablature. And, there are no problems with those who first learn chords then learn to read music later on.

Any piano melody is made up of its smallest parts - its notes. Those who learn chords do not actually learn these 'smallest' pieces, but instead learn how to break the music into chunks. By dealing with songs one chunk at a time and matching what is heard, many piano players enjoy greater freedom of creativity as they progress.

One who learns how to play the piano using chords does it more so through trial and error. This person may not actually be able to read musical notations or scores, but he or she will at least be able to judge what chord is played and for how long. As the tune or melody is practiced, usually by breaking a song up into its basic elements and listening to it as it is being played, the person matches what he or she is hearing.

A player who learns how to play the piano by ear will not necessarily be able to judge if a key is sharp or flat, and that's where having some basic knowledge of the notes comes in handy. If you need to stay in key F-major, for example, then you will know how to keep that note flat during the entire scale. While flat keys and sharp keys follow similar patterns, learning how to play the piano is not based on this alone. For teenagers or adults who are inspired and self-motivated enough to pursue their goals, learning how to play the piano can be done within a short amount of time.

Nick Krueger is a review specialist at Reviewica.com. For more information on learning how to play the piano and related product reviews, please visit: ttp://Learn-to-Play-Piano.Reviewica.com.

Learn To Play Your Favorite Christmas Songs By Ear: Gospel Piano Course

           

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Dear Friend,

The Christmas season, my favorite season of the entire year, is ALMOST here --- and courtesy of Jermaine and HearandPlay.com, I have the PERFECT gift idea that YOU or one of your relatives would LOVE to see under the tree (...or better yet, on top of their piano)!

Jermaine just let me know about his brand new 3 H-O-U-R Christmas course, Christmas Keys Vol.1 - "Conquering Christmas Classics, which has just been released.

After he takes you through his UNIQUE song learning process, you'll not ONLY know how to conquer the songs shown in this course but tons of other Christmas songs since most songs follow familiar patterns.

Christmas Keys Volume 1 is LOADED with tons of powerful tips, easy-to-do tricks, and techniques that will have you playing like an expert by this Christmas season - GUARANTEED! Click here for more details:

Christmas Keys

In this course, you'll...

* Learn how to play every song, step-by-step, with no guessing (whatsoever) or any information left out! By the end of this course, you'll have what it takes to fully play all of these Christmas songs by ear!

* Learn several variations of each song so you can play these Christmas classics a different way every time!

* Beginners: How to play an entire song with only three-fingered major chords (...also known as "major triads").

* Discover the power of "inversions" and how changing one note in your chord can totally alter the way a progression sounds!

* How to add fuel to your bass by understanding how "power" chords work in holiday music.

* How to play "Go Tell It On The Mountain" in a churchy praise style! I'm talking about bass lines, runs, fill-ins, and more (...similar to our other GospelKeys courses)!

* And tons more!

Click below if you're ready to finally learn your favorite Christmas songs by ear:

Christmas Keys

Please note: Due to the high demand and moderate supply, this incredible offer for Christmas Keys will only be around for a short time. So...

...Don't waste time! Order TODAY!

Click here for more details:

Christmas Keys

God bless,

Andre Hayward is jazz trombonist/educator in the Boston area.

He is akson an 8 year member of the Lincoln Center Jazz Orchestra

led by Wynton Marsalis. He serves as adjunct trombone professor at

both The New England Conservatory and New York University

How Will You Learn to Play the Piano?

           

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Is your passion listening to piano music? Would you like to be able to play just like your idols? Are you thinking of taking lessons but you are not sure where to start? It could even be that you have had some lessons but you have given up as it has taken longer than you thought to learn. Lots of other people may well be in your shoes at this moment and only need a push in the right direction.

The Various Ways to Learn the Piano

Before you do anything else, it is essential to know that there are two ways of playing a piano. These are:

1. Chords

2. Note reading

It is a good idea to know what you want to do when playing the piano. If you are happy enough playing music other people have written, all you have to do is learn how to read the notes. However, on the other hand, if you are more creative and you would like to write your own inspiring music, an understanding of chords is a must.

If you want to learn to play the piano fairly fast, it may be a wise choice to take a chord based approach. If you learn the chords on the piano, you can learn the sounds they make and, therefore, make your own music. You can always learn note reading afterwards if you choose.

The Pros and Cons of Learning from a Teacher

Finding a qualified and reliable instructor is the key to having successful lessons while learning to play the piano. You could learn at home or at the instructor?s studio. There are advantages to both, so it all depends on where you would feel most comfortable. A lot of people try to find an instructor that is local to where they live.

When you are looking for an instructor, you will need to have a goal in mind. It could be that you want to play for fun and want to learn how to play from music sheets. However, if you want to be more creative, it may be a good idea to look for instructors that will give you chord based lessons.

If you hire a piano instructor expecting to make your own music and they teach you nothing but reading notes, you will obviously not be able to reach your goal. Make sure that you know exactly what you will be achieving. Otherwise, you could be wasting a lot of money on something that you, basically, do not want. Also, it can be a huge waste of money to learn something that you could learn online for a cheaper price, and it is just as effective.

Learning online

As mentioned earlier, learning online is a lot cheaper than piano lessons and it is just as good. It can be a great benefit to learn online as you can do it in your own time and at your own pace without someone breathing down your neck. It can also help to save time, too, so the benefits are quite good when learning online.

The only real disadvantage with learning online is that a person may not have enough motivation to learn properly. Also, with an instructor, if there is something that doesn?t make sense, they can get help. When you are learning online, it may not make much sense and there is no instructor there to ask for help.

You can also learn how to play the piano with piano learning DVDs and computer software designed to help.

General Guidelines to Learning the Piano

Overall playing the piano should be something that is fun and it should certainly not reduce you to tears all of the time. If you take your time learning and have regular practice you will eventually achieve what you want. You should not give up if it is something that you have wanted to do for a long time. There may be times that you get frustrated, but just keep going and you will be able to play the piano just as good as anyone else can, and even write your own music in time.

Kevin is the publisher and editor of musicianhome.com.

How To Play The Piano Using "Shorthand" -- Chord Symbols -- Instead of Reading the Full Score

           

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Most people who took piano lessons as a kid, including me, grew up learning to read music exactly as it is written on the printed page. Being able to read music is a valuable skill, and I am delighted I learned that skill at an early age.

But there is a downside to only being able to read music without understanding what you are reading. A couple real-life examples illustrate the point:

What happens when you are playing and your sheet music slips off the piano and onto the floor? Unless your name is Victor Borge and you can turn the situation into comedy, you will probably find the situation extremely embarrassing. I have seen it happen several times to pianists who play well but who don't know how to improvise, and it's not a pretty site. It happened to me once years ago as well. I was accompanying a singer and someone opened a side door, letting a gust of wind sweep into the auditorium and right across my piano. The sheet music scattered onto the stage and a couple pieces blew off the stage. If I hadn't understood the music and had a grasp of it's harmonic form, I would have had to stop, pick up the music, get it back in order, and so forth, delaying the soloist and the performance. As it turned out I had several people ask me how I kept playing without the music in front of me. I replied that I knew the chord progressions of the song, so was able to "wrap the chords around the singer" and therefore keep the song going.

So what are chord symbols, and how do they work?

Chord symbols are a shorthand way of writing what is going on harmonically in a song. For example, if I were to write the chord symbols of the first line of What Child Is This? (also known as Greensleeves and several other titles) in the key of Am, I would write:

Am G F E7 -- which corresponds to the first line of the song and would appear directly above the melody line in the treble clef, so all the pianist would need to do would be to read the melody (tune) of the song -- not all the supporting notes.

I think you can see that once you know a few chords this would be infinitely easier to remember than the entire score of the song. Not only that, but that chord progression -- A, G, F, E7 -- repeats several times during the song, so once you know the form of the song, you have a huge advantage over someone who is chained to the written music and has no idea about the logic of the song.

So how does a person learn this "musical shorthand"? It's no secret -- there are books galore on learning chords, plus web sites that teach chords, or you could even pick up a chart of chords in your local music store.

Then buy a "fake book" -- a songbook with hundreds or even thousands of songs, each song showing just the melody of the song with the chord symbols listed above it. Each song alone would be known as a "lead sheet", but cumulatively the collection of songs is known as a "fake book". Then every day play a dozen or so songs just with the melody in your right hand and the chord in your left hand. It will sound barren at first, but you're learning how it works.

After a couple weeks of that, instead of playing the melody in your right hand, sing the melody (doesn't matter at all how it sounds) and use your right hand to break up the notes of the chord you are playing in your left hand. Once you get the hang of it, you can start breaking up the chord in both hands and experimenting with various rhythm patterns.

I am not saying it's easy; I am saying it's fun and exciting and that it is worth it many times over!

Duane Shinn is the author of the popular free 101-week online e-mail newsletter titled "Amazing Secrets Of Exciting Piano Chords & Sizzling Chord Progressions- Intelligent Piano Lessons For Adults Only! " with over 84,400 current subscribers.

The Key To Unlock Learning To Play The Piano

           

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Why put off learning to play the piano? Unfortunately, a false belief holds many adults back who think that since they did not study piano as a child that they will not be able to catch on as an adult. It is true that it will be a little more difficult because learning new things comes faster when we are younger, but that does not make it impossible for adults to learn to play the piano. With regular practice, you will be able to play for friends and in a few months time even compose songs of your own.

Musicians usually find learning to play the piano helpful in their area of music since they can easily arrange music on a piano. Because it is the most versatile of instruments, the piano an be helpful in arranging music for any other instrument out there.

With the simple layout of the keyboard, a piano makes tones and chords available at once. Most people who have never played an instrument want to play the guitar or the piano. I found this music site helpful http://www.mywebrelease.com. The guitar may be easier to learn, but it will not provide the usefulness that a piano can give. In addition, learning the piano will teach you theories beyond just the music rather than simple repetition of notes.

It is best to learn to play the piano from a live instructor. With at home piano programs, you may develop bad habits and not even realize that you have done so. A real live teacher is more productive unless you have some miracle musical talent that has of yet remained hidden. With a qualified piano teacher, you will learn to play the piano right the first time.

He/she can catch your mistakes and show you how to correct them. They will also be able to listen objectively to you to measure the progress you think you are making. In this way, you will know that you have learned to play the piano correctly without guess work.

Dylan Mccabe visits the following sites: My Art Portal Photography For Fun

Playing The Piano Using Chord Symbols Instead of Being Tied To The Written Sheet Music

           

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Piano improvising and arranging is an art but definitely not a science. It is all based on chords and chord progressions. There aren't any steadfast rules for creating an arrangement, nothing to dictate the limitless potential of your imagination. Musicians learn to arrange by simply arranging and improvise by improvising -- over and over again. It's a big game of trial and error. But it's also a scientific method: you keep the experiments that work, and abandon those that don't work.

That being said, there are a few things that can help you in the knowledge of piano improvization. Don't think of these as rules, but rather points on a roadmap guiding you through the vast world of arrangement and improvisation possibilities.

The first step, of course, is to learn as much as you can about chords and how they work. Once you get a handle on piano chords and the chord symbols that represent them such as Fm7, G9, D, C7, etc., you can then learn how to break those chords up in various patterns.

Learn several different chording patterns, such as open voicing, arpeggios, upward inversions, western bass, Alberti bass, swing bass or boogie bass. This course guides you through these techniques, in addition to others, and teaches you to understand when they're the most appropriate.

Learn some right hand fillers, like octaves (and the multitude of harmonic possibilities associated with octaves), tremelos, grace notes, twangs, runs, and turnarounds. Again, this course teaches you these fills and several others.

Study pre-arranged sheet music. Your local music shop will have tons of music books containing several arrangements; read and play through these in detail. Seeing what other people have done with various pieces of music will help you understand the art of arrangement and also introduce you to new techniques!

Dig into different musical styles, like ragtime, blues or country-western. Pick up some compilation CDs focusing on a particular style of music or purchase some piano sheet music specializing in the style. Understanding the fundamental elements of various styles will help you learn to arrange any song in that particular style -- or just add a few stylized elements to any arrangement.

Jump online and type in "chord piano" or "piano chords" into your search browser, and you will come up with a zillion choices where you can learn all you need to know about chords in a reasonably short time. It's not rocket science, and once you learn a few piano chords, you probably will become addicted to chords and their application to your piano playing.

Duane Shinn is the author of the popular free 101-week online e-mail newsletter titled "Amazing Secrets Of Exciting Piano Chords & Sizzling Chord Progressions- Intelligent Piano Lessons For Adults Only! " with over 84,400 current subscribers.

Piano Playing Your Way: How To Have More Fun Playing The Piano Than You Ever Have Before

           

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Piano playing doesn't have to be boring. There's no law that says you have to play a song the same way everyone else plays it. By learning some basic music theory and chord formations, you can have the time of your life playing music like you have always wanted to.

Every musician has a different method of arranging. Some start with the bass, some start with the melody, some just arrange everything all at once. You'll eventually discover the process that works best for you, but here's a basic guideline list to get you started.

-- Play the song as written. Pay careful attention to the melody and harmonies so you understand how the song is supposed to sound before altering it. Make sure you can play the song very well before moving on to an arrangement.

-- Analyze the song's chord structure and form. Know all the chord changes and any key changes. Separate the piece into parts using the letter system discussed in this course; often, you'll be able to add some spice to an arrangement by simply knowing where a verse switches into a chorus.

-- Look at the song's context to determine the appropriate sort of arrangement. For instance, if you're working on a classical lullaby or wedding song, you probably won't want to add western bass or a march beat. Of course, there's no rule saying you can't do that if you're going for a comical effect. Just be aware of the effect every sort of arrangement technique will have on a song.

-- Change the bass chording pattern based on the just-analyzed song's context. Working with "Git Alone Little Dogies"? Try a western bass. A classical romantic song? Give upward inversions or arpeggios a go. Just keep switching the bass pattern until you find something you like. After awhile, you'll acquire the ability to naturally know what to do. Until then, try it all.

-- Add fillers to the melody. Again, be aware of what's appropriate. If you're playing a western bass, try grace notes and twangs. If the song is in Alberti bass, add some glissandos or delicate octave harmonies. Remember that certain fillers, like runs or straddle-downs, work best when you're holding a half note or higher in the melody.

-- Add dynamic variation. This is where the form analysis comes in handy. If you know a key or part change is coming up, consider the ways in which you can take the dynamic up or down to create a textured, interesting effect. Try not to make the whole song extremely loud or extremely soft. Remember, variety is the spice of life!

The piano arrangement you create is bound only by the limits of your imagination. Try everything and don't get discouraged -- you'll get the hang of it eventually.

Now pick a song and get to it!

Duane Shinn is the author of the popular free 101-week online e-mail newsletter titled "Amazing Secrets Of Exciting Piano Chords & Sizzling Chord Progressions- Intelligent Piano Lessons For Adults Only! " with over 84,400 current subscribers.

Learn To Play The Piano Better By Learning To Arrange Chords & Chord Progressions

           

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Piano arranging is the process by which you take a written piece of music and rework it with chords, adding new bass accompaniment, fills, or even slightly altering the song's structure. And while it's a process that takes years to truly master, anyone with a basic education in piano and a working knowledge of a few key techniques can create an inventive, satisfying arrangement. It all boils down to one thing: chord recognition. And anyone who plays a little piano can learn piano chords to add excitement to their piano playing.

Most people learn to play the piano by playing just the written music. Playing by written music is exactly what the phrase says it is; playing the exact notation on a piece of sheet music. But playing by chord symbol is a little different. Instead of following the harmony note by note, you follow the chord symbols (i.e. C7 or F) written above the harmonies, filling in the gaps with whatever you want as long as it sticks to those chords. Of course, you'll still read the melody (it is, after all, often what makes the song recognizable) but even that is completely open to interpretation. Playing by chord symbol allows you a freedom that playing by written music simply doesn't. The freedom to create. The freedom to invent. The freedom to arrange chord patterns in the way you want.

Does that mean playing by written music is less important than playing by chord symbol? Absolutely not! The ability to play by written music is an extremely valuable skill, one that even some of the most famous musicians don't possess. And while you don't necessarily need to know the skill backwards and forwards to create great arrangements, it's a tremendous help.

Think about it this way. Some of the most revered modern artists create paintings that look very simple, very rudimentary. But the majority of those artists went to art school for years before they began creating that sort of work. They learned the fundamentals of drawing and painting, of color composition and light; they learned to draw or paint something exactly as it actually looks. Only after they mastered those skills did they move on to create the simple, yet often innovative, work that hangs in galleries and museums; work that still abides by several basic principles. They learned the craft before bringing their imagination into it; after all, you have to understand the rules in order to break them.

So after you have learned the basics of reading piano sheet music, consider learning chords and chord symbols (such as G7, Fm, etc.) and chord progressions. There are many places online where you can learn all about chords; just type in "piano chords" or "chord piano" into your search browser, and you will find several to choose from. When you can both read the written sheet music and then add chords and chord progressions to your piano playing, you have the very best of all musical worlds.

Duane Shinn is the author of the popular free 101-week online e-mail newsletter titled "Amazing Secrets Of Exciting Piano Chords & Sizzling Chord Progressions- Intelligent Piano Lessons For Adults Only! " with over 84,400 current subscribers.

Piano Lesson: Do You Know What You Learn When You Play Piano?

           

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I guess you are learning to play piano in order to become a better pianist. Do you know that there are many secret learning processes in action as you practice on your piano. Let's find out the truth!

I presume that you practice on the piano with the hope of becoming a better instrumentalist, pianist and musician and and in order to experience the joy and satisfaction that follows.

The learning processes in action as you try to learn to play the piano can lead you forward towards you goals. However, some things you learn can limit your progress and I think it is important to be aware of these factors.

Let's take a look at what you don't want to learn as you play piano! Let me mention three things!

1. At times when you practice on your piano you might experience stress and other uncomfortable feelings due to a deadline in the form of a upcoming piano lesson you don't feel prepared for or other disturbing thoughts.

The feelings you experience as you practice a specific piece of music have a tendency to be evoked when you play the same piece at another occasion.

2. Can tensions stick to your sheet music? Your actual muscle tension level when you play a piano composition tends to be present when you play the same piece of music in public.

In other words, it will be more difficult to perform and play a piano composition in a relaxed manner when you have practiced it with a high tension level.

3. Can you learn not to play a piece of music? I guess you practice on your piano and take piano lessons in order to become a better player.

However, if you don't concentrate on your piano playing and if you play new passages too fast you will probably make a lot of mistakes.

These mistakes tend to slow down the learning process and in fact they will be a part of the learning process. The more mistakes you make playing a particular piano sheet music passage the harder it will be to play it right.

Why is it so? All your earlier mistakes will accumulate and disturb you as you try to play a passage right. To play a passage wrong will become easier and easier the more times you make mistakes.

Is this depressing news? Well if these news will help you change your way of practicing piano playing it will be good news!

You can use these piano practicing news to your advantage! Read on!

1. Try to make your piano practicing sessions to peaceful and joyful occasions by never procrastinating your piano lesson homework and by having the right attitude as you start playing.

2. Always practice a new piano piece slowly and with concentration and with correct posture. If you don't make mistakes as you practice you will progress much faster!

3. Remember to relax as you play piano. Your piano practicing session can also be a relaxation exercise and if you play piano in this manner it will be beneficial both for your physical and mental health!

Peter Edvinsson is a musician, composer and music teacher. Visit his site Capotasto Music and download your free sheet music and learn to play piano resources at http://www.capotastomusic.com

Learning Through Sheet Music For Guitar

           

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Encouraging your child to learn to play a musical instrument is a lovely gesture. Granted not all children are interested in learning how to play the guitar, the violin or the piano, but if they are, it's nice if a parent can present opportunities for them to pursue that. If your child is interested in learning the guitar, it's a good idea to find some sheet music for guitar that is at the playing level they're at.

Traditionally people who wanted to learn and play the guitar were restricted to purchasing books filled with music. Many sheet music for guitar books may have included dozens of songs by a particular artist or they centered on a specific theme such as summer songs or holiday tunes. Now it's a bit different, as you can find all kinds of sheet music for guitars on the Internet.

The first thing to do when looking for music is to determine what level the person playing the instrument is at. Obviously you don't want to give complicated sheet music for guitar that includes many notes and a fast tempo to a beginning player. They would struggle with this and more than likely it would frustrate them. Instead choose music that complements their current ability.

One way to get a child, in particular, to practice more is to give them songs that they enjoy. If you give a child sheet music for guitar that is for a song they've never heard of, they are less likely to want to practice it. However, if you find songs that they listen to on the radio or have sung in school, they are going to want to master those. They'll want to learn them quickly so they can impress not only their friends, but themselves.

Asking the child what songs they dream of playing is a good start. If they tell you a song that you know is beyond their current playing ability, encourage them to keep practicing and suggest other songs that you know they enjoy.

Also, explain to the child that they don't need to learn the entire song in one sitting. If they are working on a specific chord with their guitar teacher and they take a few days or weeks to learn that, reward them by telling them how proud you are. This will be the impetus they need to continue learning until they can play the entire song all at once.

Once the child feels very comfortable, they can begin to play songs that are a bit more difficult. Purchasing new sheet music for guitar for them as they progress from one playing level to another is the perfect way to constantly show them you believe strongly in their ability.

IntoTheArts gives our readers the latest updates on music & other entertainment related news.

Play Piano - There is No Substitute for Practice

           

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There is no substitute for practice. By spending a couple of hours with your instrument every day you develop a special relationship with it.

You need to have a regular practice routine that contains certain constant elements (such as warm-up exercises) as well as variable elements that address your current avenue of study. And performing doesn't count as practice. Although playing gigs, performing in Church or for your personal enjoyment is an essential part of your musical development, it won't replace time in the practice room.

There are times, however, when you just can't maintain a regular practice routine. All the other elements of your life crowd in and you find you have to grab a spare hour of practice wherever you can. It seems futile to embark on any long-range practice projects that will require weeks or months of steady work, because you know it won't happen.

So should you give up?

Must you put off the idea of improving your musicianship until you have more time (and are you sure that time will come)? Here's an alternative - I call it "target bombing."

You have an hour to practice. Find something to practice that is not currently in your arsenal. It could be a lick, a scale, a set of chord voicings, a section of a tune, a transcribed solo, anything. But this is important: it must be small. Don't set a general goal (e.g., mastering the McCoy Tyner style of pentatonic scale improvisation). Instead, select a little piece of business (such as a particular pentatonic lick to be learned in 12 keys). Assume that this is the only opportunity you'll have to learn this particular item. Tomorrow you'll move on to something else.

Approach the hour's practice with this attitude: "What can I do within the next hour to permanently improve my musicianship in one very small but measurable way?"

More specifically, "What can I do to master this one item so that it will be self-reinforcing, so that it will immediately begin to show up in my actual performances?"

Your plan is to devour this one small thing so completely that it can't slip away.

If it's a lick, make it a short one and learn it in several keys. Work out the fingering.

Play it over random ii-V progressions.

Solo over a few tunes and work that lick in wherever you can.

If it's a chord voicing, practice it in 12 keys, work it into tunes, and make sure you can make smooth transitions to and from other voicings.

If you don't get it by the end of the hour, you lose it forever. But if you ingest it fully enough, then it will immediately begin to show up in your performances. It will become a small element of your style and you'll never lose it.

This is target bombing. It's intense, focused, and can be tremendously effective and satisfying. Although at first it may be a method that you use because you can't find time for the more traditional, routine-oriented practice, you may find it so successful and fun that you make it your primary approach.

After all, you climb a mountain with thousands of small steps. Take each step so well that you never have to take it again.

I've seen this approach work wonders for many students, and I use it all the time myself. I've also seen it fail miserably for others. It requires a type of tunnel vision, a willingness to gnaw on one thing for one hour without letting other concerns intrude.

You might feel as if you are playing when you should be working or that focusing on a tiny area is not productive when there are so many major areas to be covered. But once you successfully target bomb a few small items, you'll realize the needlessness of your concerns.

Anyway, try this method on - see if it fits your style
 

How To Learn Piano

           

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Play Piano - Preparing to Practice

           

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When the practicing "blahs" strike, you just need an attitude adjustment. You don't have to sweat blood to practice well. You don't even have to think of it as work, or duty, or even something that you ought to do.

Stop a minute and think about it. You like music, and you want to play some special piece that really means something to you. You want it to sound through you - right through your fingertips.

Okay? Well, you practice it to fulfill that desire, not to frustrate it.

Pause here and ask yourself some questions:

What if you could look at a piece of music for the first time, and play it correctly straight off, just as fine as you please?

How would you feel about practicing then?

Or, what if you were practicing for the Olympic swim meet next year, and felt deep down that you had a chance? How would you feel then about the training? Would you plunge into it each morning?

What if you were interrupted at a good point in yesterday's practicing? What if you had just about broken through a tough spot when you had to stop? Would you want to get back to it today as soon as possible?

You answer those questions, honestly, for yourself. There are ways to say "YES!" every day.

But, first, you've got to stop blaming yourself. You don't have to be perfect every time. You don't have to be the best player, today. And you don't have to listen to what other people say about your playing - people who are only half listening, and don't care the way you do.

Put all that out of your mind. What matters is your desire to play as well as possible.

Just start with playing - one note after another, and keep going. As the Chinese say, "A journey of a thousand miles begins with the first, step." And, if the very first step leads to the first slip, be glad for it. You can't, repeat, cannot learn without mistakes!

Now, start to think more personally about your instrument.

The piano, like the guitar, is a "touchy" instrument. Touch it, and you both produce and color its tones, like a potter molding clay. Think of the keys, all gleaming white, as the "skin" of the piano; you can either please them or hurt them. Stroke them, and the sound will come out mellow and purring. Poke them, and the sound will either "bark" sharply or woodenly "thud."

Stop thinking of yourself as playing "on" or "at" the piano. Rather, think of the instrument as an extension of your own body. When an artificial leg is fitted to an amputee, he is then taught to walk with it. Gradually, it feels more natural - more like his own leg walking. The French call the keys "les touches," or "touch-points" - as if the keys, not you, were doing the feeling.

Every musician wants to personalize this instrument. Take a look at the vocalist who hugs his guitar, or without a guitar, woos his microphone, or, without a microphone, simply woos the audience?

Every musician seeks to make his instrument an extension of his own body, the tool he or she needs to put across the strong feelings he as for the music.

Nadia Boulanger, one of the greatest teachers, put it best: "Don't speak to me of talent; speak to me of desire."

Go to the piano or keyboard not to reproduce a piece, but to experiment with your best way to bring out what is there. There is no one right way to play a piece - no matter how loudly some people protest that there is.

Artists in fact, vary greatly, and audiences return again and again to hear the same piece, as played by pianist X or pianist Y. You simply cannot play a piece twice the same way. Try it!

Here's how to practice an exercise or a song:

Six quietly, upright and relaxed Hear the music in your head: hear it better than life. Sense its movement and pulse rolling through you, turning and adjusting your own pulse, you are the prime "instrument" of this music - sitting there alert, tuned by silence, vibrating to is rhythm, lending it your own life entirely.

As you feel the music filling you, heart and soul, you will know that it is getting ready to be born.

When it has stirred you, lift your hands to the keyboard. This is the reason you wanted to play in the first place: to bring alive what has already moved you. And, suddenly, by centering your focus, you've turned practicing from a duty into an attraction.

Ron Worthy is a Music Educator, Pianist and Songwriter. He offers online instruction that focuses on Rock, Pop, Blues, Cocktail, R&B and "Smooth Jazz" piano styles. To Download Your FREE Piano Lesson Video, go to: http://www.playpianotonight.com/VC.html.

Learn To Play Piano Chords: Learn To Play II-V-I Progressions

           

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II-V-I progressions are common in most types of popular music and mainstream jazz and more. If you can play II-V-I progressions you are in a lucky position. What then is a II-V-I progression? Well, come and see!

A C-major scale consists of seven notes: C D E F G A B

A C-major chord consists of the first, third and fifth notes in the C-major scale. This is called a triad.

A chord built from the first step of the scale can also be called I from the roman number one.

If I start on the second note of the C-major scale and construct a triad chord consisting of D F A, I have a chord built upon the second step of the scale.

This will be a D-minor chord and I can indicate that I have built a chord from the second note of the C-major scale by giving it the number II with roman numbers.

If I decide to build a triad chord from the fifth note of the C-major scale I have to add more notes in the C-major scale: C D E F G A B C D

If I start building a triad from G it will consist of the notes G B D. This is a G-major chord and to show that it is a triad built from the fifth step of the C-major scale we can call it V which is the roman number for five.

The smart thing with the roman numbers is that they don't indicate an absolute chord but rather the position of a chord in the key you are playing on your guitar, piano or other instrument.

In the key of C the roman numbers I stands for the chord C, II indicates the chord D-minor and V the chord G. Simplified we can say that when I say I will play a II-V-I chord progression in the key of C I will play the chords D-minor, G and C.

Actually this is just the beginning of the art of playing II-V-I progressions. You can spice the chords in different ways and play the chords in major or minor.

And of course a chord on a piano can be played in many different ways. A C-major chord must have the notes C, E and G but how many or where to play them is a matter of choice.

Here are a few easy examples of II-V-I progressions in C-major that can be transposed to other keys:

1. Dm, G7, C 2. Dm7, G7, C 3. D7, G7, C

When you practice these progressions on your piano you can choose to play them with both hands, with the left hand, giving room for right hand improvisation or your right hand, giving room for left hand bass playing or improvisation.

Practicing playing II-V-I progressions on your piano will help you see the relationship between chords and being able to play these progressions in different key will give you a tool that will help you recognize chord progressions in songs you hear which will help you trancribe songs by ear.

Peter Edvinsson is a musician, composer and music teacher. Visit his site Capotasto Music and download your free sheet music and learn to play piano resources at http://www.capotastomusic.com